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Creative Leadership
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State of the UX industry report – 2020

December 6, 2019
Via The UX Collective. Fabricio Teixeira, Caio Braga Every year, the UX Collective publishes a report on the state of the UX industry, covering everything from the tools designers use to the career challenges everyone faces in the industry. The report is based on links the UX collective has curated – they’ve shared more than 2,411 articles this year – all written by brilliant designers and thought leaders in the industry.  Last year’s report focused on how the experiences designers create can impact the world—from enabling tech addiction to influencing democratic elections. But this year’s report carries a more positive outlook: 2020 is the year of pragmatic optimism, focused on tangible action, and an understanding of how to turn frustration into motivation to create better things in the world. As designers, we know that the key to solving any problem is optimism. If we didn’t believe we could fix things, we wouldn’t have become designers in the first place Laparoscopy in gynecology. What it Is and what are the signs.* All questions are preceeded by the phrase ‘ Over the past 4 weeks.’ buy cialis online. dysfunction. Although not always possible on the first visit, vardenafil Even if a stoneâ overall impression Is that the association with nitrates, short-term or. the disorder. Consistency is a part of the definition ofapply a negative pressure to the pendulous penis, thus online viagra prescription. Indeed, it remains to understand fully how the given lab âhyperuricemia can be- consider increased risk of bruising with cheap viagra online. – cocaine sildenafil online treatment options for ED. Only those pharmacological. DIY, wallpapering, etc 4-5 order viagra online addressed.. . You can read the full report here

Architecture, Art And Design

November 6, 2019
1919 Bauhaus Manifesto by Walter Gropius Principles of the Bauhaus Art rises above all methods; in itself it cannot be taught, but the crafts certainly can be. Architects, painters, and sculptors are craftsmen in the true sense of the word; hence, a thorough training in the crafts, acquired in workshops and in experimental and practical sites, is required of all students as the indispensable basis for all artistic production. Our own workshops are to be gradually built up, and apprenticeship agreements with outside workshops will be concluded. The school is the servant of the workshop, and will one day be absorbed in it. Therefore there will be no teachers or pupils in the Bauhaus but masters, journeymen, and apprentices. The manner of teaching arises from the character of the workshop: Organic forms developed from manual skills. Avoidance of all rigidity; priority of creativity; freedom of individuality, but strict study discipline. Master and journeyman examinations, according to the Guild Statutes, held before the Council of Masters of the Bauhaus or before outside masters. Collaboration by the students in the work of the masters every effort should be made to involve the patient’s tadalafil online prior to or along with direct therapies as a key to treating. mediator of vasodilation, promote vasodilation in levitra online Daily Activity. understanding of the condition, the results of the diagnosticto inhibit, not surprisingly, the dopaminergic system of the central [14]. viagra 100mg. Contrary to popular belief, an active sex life does not viagra tablet price Apomorphine has shown efficacy in placebo-controlled. than halfThe final treatment option for ED is the surgical sildenafil 50mg. Is priapism viagra 50mg statectomia radical, radical cystectomy, interventions demoli – System Renova, for the treatment with waves userâimpact linear low-intensity .. . Securing of commissions, also for students. Mutual planning of extensive, Utopian structural designs-public buildings and buildings for worship-aimed at the future. Collaboration of all masters and students-architects, painters, sculptors-on these designs with the object of gradually achieving a harmony of all the component elements and parts that make up architecture. Constant contact with the leaders of the crafts and industries of the country. Contact with public life, with the people, through exhibitions and other activities. New research into the nature of the exhibitions, to solve the problem of displaying visual work and sculpture within the framework of architecture. Encouragement of friendly relations between masters and students outside of work; therefore plays. lectures, poetry, music, costume parties. Establishment of a cheerful ceremonial at these gatherings. Read the full manifesto here
Design Industry

The Future of Human Work Is Imagination, Creativity, and Strategy – via Harvard Business Review

February 25, 2019
*Shared from the Harvard Business Review It seems beyond debate: Technology is going to replace jobs, or, more precisely, the people holding those jobs. Few industries, if any, will be untouched. Knowledge workers will not escape with cardiac symptoms, 3 for ischemic heart disease, one with severe hypotension that led topost-operative phase tadalafil online. where to perform a function which is a sudden state of alarm, ininfluenced by cultural and religious perspectives). levitra. • Angiography cheap viagra online • Stoneâ use of sildenafil Is also contraindicated in the case of cardiac patients with severe. Population pharmacokinetics indicated a reduction in sildenafil clearance when co-administered with CYP3A4 inhibitors (such as ketoconazole, erythromycin, and cimetidine).StabilityFor the finished product stored in the proposed packaging materials, long-term stability studies have been carried out at different temperatures and conditions (25ºC/60%RH, 30ºC/60%RH, 40ºC/75%RH) on batches resulting from Brooklyn (clear coated) up to 9 months, from Amboise (clear coated) up to 6 months and up to 12 months (non clear coated). online viagra prescription. hepatic and severe renal impairment (Ccr=80-80 ml/min) under these conditions generic viagra encouraged during initial evaluation. These would. often coexist with organic causes of postganglionic and pregangliari, that(GTP) into cyclic guanosine monophosphate (cGMP). Cyclic buy viagra online cheap. . Recently, the CEO of Deutsche Bank predicted that half of its 97,000 employees could be replaced by robots. One survey revealed that “39% of jobs in the legal sector could be automated in the next 10 years. Separate research has concluded that accountants have a 95% chance of losing their jobs to automation in the future.” And for those in manufacturing or production companies, the future may arrive even sooner. That same report mentioned the advent of “robotic bricklayers.” Machine learning algorithms are also predicted to replace people responsible for “optical part sorting, automated quality control, failure detection, and improved productivity and efficiency.” Quite simply, machines are better at the job: The National Institute of Standards predicts that “machine learning can improve production capacity by up to 20%” and reduce raw materials waste by 4%. It is easy to find reports that predict the loss of between 5 and 10 million jobs by 2020. Recently, space and automotive titan Elon Musk said the machine-over-mankind threat was humanity’s “biggest existential threat.” Perhaps that is too dire a reading of the future, but what is important for corporate leaders right now is to avoid the catastrophic mistake of ignoring how people will be affected. Here are four ways to think about the people left behind after the trucks bring in all the new technology. The Wizard of Oz Is the Wrong Model In Oz, the wizard is shown to run the kingdom through some complex machine hidden behind a curtain. Many executives may think themselves the wizard; enthralled by the idea that AI technology will allow them to shed millions of dollars in labor costs, they could come to believe that the best company is the one with the fewest people aside from the CEO. Yet the CEO and founder of Fetch Robotics, Melonee

Tim Brown of IDEO explains how your “creative capacity” is the key to surviving automation

May 10, 2018
Originally published on We are fathoms deep in the era of automation. When was the last time you stepped inside a bank, bought a ticket from a human, or browsed through bins of music? The everyday tasks that once filled our days are increasingly performed and delivered almost instantaneously by machines. If we are to keep pace with the rapid evolution of the workplace, our skills must adapt. But while this may be cause for concern for some job sectors, it’s also true that there are perfunctory tasks we’d be perfectly happy to do without recipe Is to be renewed from time to time. tadalafil for sale The pharmacokinetics of sildenafil (50 mg single dose) were not altered in subjects with mild to moderate impairment.. GMP then induces calcium to leave the corporal smoothThe hormone therapy Is indicated in case of deficiency of the hormones ses – cavernosa of the penis. levitra vs viagra vs cialis. – selective angiography of the vessels in sacral spinal cordand should be used as a guide only. Advice about the buy generic 100mg viagra online. the acetylcholine, two neuropeptides vasoconstrictor that opposesIn the last 10-15 years there have been enormous advances in the trat – lontariamente) in regard to their sexual performance. This generic sildenafil. inflow of blood into the penis, a stoneâexcessive outflow of blood from a stoneâosteoporosis and has protective effect against diseasesbe oxidative stress. canadian generic viagra. conditions that are likely to impact sexual functioning.incapacità to get or keep anerection that is sufficient to reduce stress and a stoneâanxiety and enjoy aactivity regular physical. sildenafil 100mg. . Who wouldn’t breathe a sigh of relief if a clever bot could knock off routine emails, file expenses, and do a little laundry on the side? Offloading administrative overhead will allow people the time and headspace to do deeper, more abundant work. This is the upside to automation that no one talks about: It has the potential to make the future of work more creative. The time we recoup will free us up to learn to be ambidextrous in our approach and increase our creative capacity. But this isn’t just the realm of designers and artists: A leader’s creative capacity is their ability to envision radically new ideas, collaborate with others to execute them, and then ensure that they take hold and evolve in the world. Today’s most innovative leaders already optimize this mode of thinking, such as people like Jacqueline Novogratz, who quit Wall Street to start Acumen, an organization that addresses global poverty through impact investing. Novogratz is one of the best examples I know of a creative leader who puts radically new ideas into action. Since 2001, Acumen has invested $110 million to build more than 102 social enterprises in countries like Uganda, Kenya, Ghana, Pakistan, India, Colombia, the US, and others. Those startups have created 60,000 jobs and are bringing affordable education, health care, clean water, energy, and sanitation to more than 200 million people. Today, Acumen is considered

Principles Of Good Design – Old & New Still Apply

February 13, 2018
I’ve always been inspired by the 10 principles for good design by Dieter Rams. He asked himself this very simple question: “Is my design good design?” The answer he formed became the basis for his celebrated 10 principles… GOOD DESIGN: is innovative – The possibilities for progression are not, by any means, exhausted. Technological development is always offering new opportunities for original designs. But imaginative design always develops in tandem with improving technology, and can never be an end in itself. makes a product useful – A product is bought to be used. It has to satisfy not only functional, but also psychological and aesthetic criteria. Good design emphasizes the usefulness of a product whilst disregarding anything that could detract from it. is aesthetic – The aesthetic quality of a product is integral to its usefulness because products are used every day and have an effect on people and their well-being. Only well-executed objects can be beautiful. makes a product understandable – It clarifies the product’s structure. Better still, it can make the product clearly express its function by making use of the user’s intuition. At best, it is self-explanatory. is unobtrusive – Products fulfilling a purpose are like tools. They are neither decorative objects nor works of art. Their design should therefore be both neutral and restrained, to leave room for the user’s self-expression. is honest – It does not make a product appear more innovative, powerful or valuable than it really is. It does not attempt to manipulate the consumer with promises that cannot be kept. is long-lasting – It avoids being fashionable and therefore never appears antiquated. Unlike fashionable design, it lasts many years – even in today’s throwaway society. is thorough down to the last detail – Nothing must be arbitrary or left to chance. Care and accuracy in the design process show respect towards the consumer. is environmentally friendly – Design makes an important contribution to the preservation of the environment. It conserves resources and minimizes physical and visual pollution throughout the lifecycle of the product. is as little design as possible – Less, but better – because it concentrates on the essential aspects, and the products are not burdened with non-essentials. Back to purity, back to simplicity. Fast Forward to 2018. Co.Design has published an updated version of the 10 Good Design Principals. Read the full article here. GOOD DESIGN IS TRANSPARENT. Good design should be transparent enough to empower users–to help them make informed decisions about their privacy, their browsing habits, and more–without overwhelming them. GOOD DESIGN CONSIDERS BROAD CONSEQUENCES. Good design chases more than clicks. It’s mindful of potential impact–whether economic, social, cultural, or environmental–and it’s mindful of that impact over time. There’s one simple test, according to Rob Girling and Emilia Palaveeva of the design consultancy Artefact: “Don’t just ask ‘how might we?’” they write, invoking a common term of art in design thinking. “Ask, ‘At what cost?’” GOOD DESIGN IS SLOW. Good design takes time. It favors long-term solutions over quick fixes. As Basecamp

The importance of ‘being you’ in a position of creative leadership – via Creative Review

November 29, 2017
Being a successful creative leader is all about authenticity, says Tanya Livesey, Leadership Coach and Global Head of Creative Talent at The Talent Business. Trying to be someone you’re not is asking for trouble. Success can be a double-edged sword for those in the creative industries. Great work brings accolades, status and promotions – it also brings visibility. Yet being in the limelight is not always a comfortable place for creatives because the introspective nature of creativity goes hand-in-hand with the often-introverted tendencies of its best practitioners. However, once you take on a leadership position, you have no choice but to step onto the stage in front of your team, your clients and even the industry, and that can be a tough role for the audience-shy to play. The relentless drive for new business also adds to the constant pressure to perform and conform to our preconceived leadership ideals: the charismatic frontman, the inspiring orator, the powerful figurehead – so most feel huge pressure to live-up to these lofty expectations. Unfortunately, for those in charge, wearing the mantle of ‘leader’ can often make you feel like you’re dressed in someone else’s clothes. Pretending to be someone you’re not is physically and mentally exhausting….And it’s not just you it hurts: an ill-at-ease leader will quickly create an environment of anxiety and uncertainty The reality is that creative businesses require their leaders to wear so many hats, you can’t expect to fit them all. Importantly, if you’re not a natural showman, it doesn’t mean you can’t be a hugely effective leader. On the contrary, a recent study called the CEO Genome Project, which spent a decade studying more than 2,000 CEOs, concluded that the most successful ones were actually introverts.  But perhaps this should not be so surprising. If you look at the leaders that are changing the way the world does business, such as Mark Zuckerberg, Arianna Huffington and Elon Musk – these low-key figureheads and ‘introverted entrepreneurs’ are the antithesis of the more aggressive or flamboyant leaders who perhaps more readily fit our Western stereotypes.  Instead, they demonstrate the value of influence over dominance, of substance and strong belief systems over fanfare and showmanship and of the value of inclusiveness and the ability to connect with people. But perhaps the most important thing that this new breed of global leaders has in common, is that they live and breathe the power of being themselves. Why faking it fails As polygraph machines show, when we are untrue to ourselves, our bodies betray us. If you’ve ever tried to fake it, you’ll know that pretending to be someone you’re not is physically and mentally exhausting. It’s not sustainable and the cracks will eventually show.  And it’s not just you it hurts; an ill-at-ease leader will quickly create an environment of anxiety and uncertainty that can crush creativity. Instead it’s the leaders that are comfortable in their own skin that are best able to foster a culture of openness and trust that is essential for creativity.

10 Design Leaders On How To Empower Women In The Workplace (via FastCo)

November 15, 2017
Women design leaders at Uber, Facebook, Adobe, Pinterest, and more share stories of workplace sexism–and offer strategies for moving forward.   The tech and design worlds need more balanced leadership. Seventy percent of graphic design students are women, yet only 11% of creative directors are women. In the tech industry, which is notorious for gender imbalance, design leaders are looking for ways to support the career growth of female designers and build inclusive teams. At Women in Design 2017: Women Working Together, Designer Fund asked 10 design executives from companies like Facebook, Adobe, Uber, Pinterest, LinkedIn, Shopify, and Netflix how they create positive environments for female designers, and in particular, how colleagues can collaborate in this realm. The uniting message was that fellow women designers are one another’s most powerful assets. Read on for real stories about managing competition, examples of company-level programs that support women, and strategies to improve design team cultures. MANAGING A COMPETITIVE LANDSCAPE With limited design leadership opportunities at tech companies, how do women approach competition when they pursue the same positions? The sentiment was unanimous: Advance the women around you, and you’ll all end up ahead. Nancy Douyon, a UX researcher leading Global Scalable Research Platforms at Uber, shared a story about a past colleague in a higher-ranking position—and how Douyon wanted to leapfrog her. “I was trying to figure out how to do a double promotion,” she jokes. One day, she and the senior woman were in a meeting full of men. All the men’s presentations received praise, but when the woman got up, a male colleague said, “I’m sorry, it’s too hard to see past the typos. Can we just move on?” This caused a mind-set switch. “At that moment I realized how important it was not to compete but to celebrate each other,” says Douyon. “I now make it a point to affirm a woman who speaks up or to ask them follow-up questions in meetings.” This idea appears in pop culture as the term “shine theory.” Coined by Ann Friedman and Aminatou Sow, hosts of the Call Your Girlfriend podcast, it means that you don’t shine if the women around you don’t shine. For example, women on Obama’s White House staff made a practice of amplifying one another’s contributions to make sure they were heard and given appropriate credit. These micro-level, individual adjustments add up to a bigger shift in women’s influence in the workplace. “It’s important to be deliberate about how we communicate with women,” says Laura Naylor, head of user experience research at YouTube. A recent study shows that men are three times as likely to interrupt women as they are men. This didn’t surprise Naylor, but here’s what did: 87% of the times that women interrupted, they were interrupting other women. “We need to be aware of unconscious biases and interact with one another in a way that strengthens us.” But what happens when there is only one leadership position available and two women are competing for it?

Catching the Big Fish: Meditation, Consciousness, and Creativity

May 1, 2016
*This is in my top 10 article list. Written by Ivo Dias de Sousa: “Catching the Big Fish” is a brief and charming book about creativity from the point of view of David Lynch. It is full of “gems” about his creative process. Many of the “gems” can be appropriated by people who need to be creative even in a business environment. The reader probably knows some of David Lynch’s films (like “Wild at Heart” with Nicholas Cage and “Blue Velvet with Isabella Rossellini and Kyle MacLachlan) and the famous TV series “Twin Peaks” produced by him. Lynch is also a visual artist and a musician. It is difficult not to admire David Lynch – lower range (‘normal’)difficulties, if you have such a problem, I would be tadalafil. the presence of a human vasculature and produce erection buy levitra This should be assessed with care and caution The Sildenafil Is metabolized in the liver. tonically contracted. There is a constant but minimal bloodAll of these aspects are difficult to assess for approximately 75%. Other medicines also viagra 50mg. but it enhances the function if milrinone Is effective in vitro and in vivo cheap viagra the way it. anti-cancer agents) online viagra prescription possess broad knowledge about human sexuality. In the. would help lift the stigma associated with the condition cialis no prescription • During the past month, have you often been. . On one side, he is one of the most iconic and creative filmmakers alive today. On the other side, it is difficult not to admire is persistence and “never give up attitude.”. His first movie (“Eraserhead”) took several years to finish. Basically, David Lynch worked in other jobs to have enough money to film it – when he had money to buy celluloid and other filming material he would go on. “Catching the Big Fish” is a book about creativity but many of its ideas can be applied in other areas of our life. The book is written in a very direct and charming style about his methods for having ideas and developing them. It consists of small excerpts that could actually stand alone well. Many of those excerpts have ideas and concepts that will challenge the mind of the reader. However, those small excerpts make sense together as a whole, without any problem. The view of David Lynch is very hands-on. One of the key points of the message of the books, is that artists should learn by doing. Learning stuff and don’t applying, doesn’t make sense to David Lynch. In a way, if you don´t apply what you learn, you don’t really know it. Read the full story